All Matthias Grunewald's oil paintings

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52037

Annunciation and Resurrection

c. 1515 Oil on wood,

87844

Carrying the Cross

between 1523(1523) and 1524(1524) Medium Oil on wood cyf

52035

Concert of Angels and Nativity

c. 1515 Oil on wood, 265 x 304 cm

21367

Crucifixion (mk08)

1512-1516 Oil on wood 269x307cm Colmar,Musee d'Unterlinden

84323

Erasmus durch Hl

English: c. 1517-1523 Medium Oil on wood cyf

30463

Isencheim Altar Crucifixion

mk68 Oil on wood 8'10"x11 2 2/1" Colmar Unterlinden Museum 1510-1515 Germany

30465

Isenheim Altar Allegory of the Nativity

mk68 wood Colmar Unterlinden Museum 1510--15115 Germany

52033

Isenheim Altarpiece

c. 1515 Oil on wood

52044

Lamentation of Christ before 1523

Oil on pine wood 36 x 136 cm

52031

Meeting of St Erasm and St Maurice

1517-23 Oil on wood, 226 x 176 cm

87825

Meeting of St Erasm and St Maurice

between 1517(1517) and 1523(1523) Medium Oil on wood cyf

87827

Meeting of St Erasm and St Maurice

between 1517(1517) and 1523(1523) Medium Oil on wood cyf

52034

St Antony the Hermit

c. 1515 Oil on wood, 232 x 75 cm

52038

Sts Paul and Antony in the Desert

c. 1515 Oil on wood, 265 x 141 cm

88616

Stuppach Madonna

between 1517(1517) and 1519(1519) Medium Oil on canvas mounted on wood cyf

88617

Stuppach Madonna

between 1517(1517) and 1519(1519) Medium Oil on canvas mounted on wood cyf

23311

The Crucifixion (nn03)

c 1515 Oil on panel 269 x 307 cm 106 x 120 7/8 in Musee d'Unterlinden Colmar

85935

The Lamentation

1515(1515) Medium Oil on wood cyf

21368

The Meeting of St Erasmus and St Maurice (mk08)

c.1520-1524 Oil on wood 226x176cm Munich,Bayerisch Staatsgemaldesammlungen,Alte Pinakothek

88028

The Mocking of Christ

1503(1503) Medium Oil on pine panel cyf

90045

The Mocking of Christ

1503(1503) Medium oil on pine panel Dimensions Height: 109 cm (42.9 in). Width: 73.5 cm (28.9 in). cyf

21365

The Mocking of Christ (mk08)

c.1503 Oil tempera on wood 109x73.5cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

52036

The Resurrection

c. 1515 Oil on wood

72753

Verspottung Christi

Date 1503-1505 Medium Oil on wood cyf

56843

Yisenhaimu altar painting, Good Friday to map

mk250 Yisenhaimu Germany, from San Antonio hospital chapel next. About the year 1510-1515. On-board painting, mosaic in the middle board 298.5 x 327.7 cm. Flank for the 250.2 x 340.4 cm. Taiwan altar on the painting of vertical sat 74.9 x 340.4 cm. Keer Ma, Ante Linden Museum.

Matthias Grunewald

German 1475-1528 Matthias Grunewald Galleries Only religious works are included in his small surviving corpus, the most famous being the Isenheim Altarpiece, completed 1515, now in the Musee d'Unterlinden, Colmar. Its nine images on twelve panels contain scenes of the Annunciation, Mary bathing Christ, Crucifixion, Entombment of Christ, Resurrection, Temptation of St. Anthony and saints. As was common in the preceding century, there are different views, depending on the arrangement of the wings; but the three views available here are exceptional. The third view discloses a carved and gilded wood altarpiece in the centre. As well as being by far his greatest surviving work, the altarpiece contains most of his surviving painting by area, being 2.65 metres high and over 5 metres wide at its fullest extent. His other works are in Germany, except for a small Crucifixion in Washington and another in Basel, Switzerland. He was asked in about 1510 to paint four saints in grisaille for the outside of the wings of Durer's Heller Altarpiece in Frankfurt. D??rer's work was destroyed by fire and only survives in copies, but fortunately the wings have survived. There are also the late Tauberbischofsheim altarpiece in Karlsruhe, and the Establishment of the Santa Maria Maggiore in Rome (1517-1519), Freiburg, Augustinermuseum. A large panel of Saint Erasmus and Saint Maurice in Munich probably dates from 1521-24, and was apparently part of a larger altarpiece project, the rest of which has not survived. Other works are in Munich, Karlsruhe, and Rhineland churches. Altogether four somber and awe-filled Crucifixions survive. The visionary character of his work, with its expressive colour and line, is in stark contrast to Albrecht Durer's works. His paintings are known for their dramatic forms, vivid colors, and depiction of light.

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